![]() For those who appreciate the depth of the original story, this has more than enough to make it worth watching. And if taken on its own, it fits together well, making generally good choices as to what material would fit together and would work on screen, and in using the photography and settings to create the right atmosphere. As for me, I am tormented with an everlasting itch for things remote. Better to sleep with a sober cannibal than a drunk Christian. ![]() It is not down on any map true places never are. While there may indeed be some areas in which this version falls short, and it's fair to point them out, it would be pretty difficult to improve on it in a cinema version of the story. I know not all that may be coming, but be it what it will, Ill go to it laughing. Welles was an ideal choice, and his scene in the church is one scene that does come up to the high standard of Melville's novel. As Father Mapple, Orson Welles has only one scene, but it is an important one, in that it sets up some of the vital themes of the story ahead. Leo Genn makes his scenes as Starbuck count, and several of the other crew members are portrayed well, albeit in much smaller parts. On screen, there is much to Ahab that just does not come across, and Peck's performance has to be judged with that in mind. Ahab is one of the most carefully-designed and demanding characters in literature, and lesser actors would simply be an embarrassment in the part. Gregory Peck does rather well in the very challenging role of Ahab. But a complicated god, with a secular dominion over sweetness and filth, he goes on). Richard Basehart's mild, pleasant demeanor makes Ishmael an appropriate mirror for the events and characters on the ship. Later in the book, Moby wonders if he is actually divine himself (Maybe I was a new god. ![]() In 1850 Herman Melville was an up-and-coming young author. A look at the book’s beginnings shows that its story was complicated from the outset. ![]() For the past 160 years, readers have been fascinated and frustrated by Melville’s genre-bending work. Instead, John Huston's version concentrates on bringing out many of the complex internal and external conflicts of Captain Ahab, in sketching the crew members and their reactions to Ahab's monomania, and in portraying the atmosphere of frequent tedium, growing tension, and occasional dread aboard the 'Pequod'. Moby Dick or, The Whale is today a staple of Best American Novel lists and college syllabi. It would be a temptation for any film-maker to put the focus on the action and the special effects, and thus ruin the heart of the book by downplaying its themes, as so many recent films have done with other classic material. It would be impossible to make a movie that came up to the standard of the novel "Moby-Dick", but this film does a fine job of capturing some of the most important themes, and of telling a selection of the key parts of the story in an interesting way. ![]()
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